In October 2026, two significant art exhibitions open in the United States, each offering a distinct and compelling lens on social and cultural history. In California, "Before the Look of Law" at the University of California, Irvine, promises a critical examination of law, authority, and visual culture. Simultaneously, the Milwaukee Art Museum in Wisconsin presents "The Shakers: A World in the Making," an expansive show exploring the lasting impact of Shaker design on contemporary art. For art enthusiasts seeking work that engages with societal structures, these exhibitions provide contrasting but equally vital approaches. One offers a direct, scholarly critique of systemic power, while the other facilitates a rich dialogue between a historical movement's material culture and the creative expressions of the present day.
'Before the Look of Law': A Critical Gaze on Authority
Opening at the University Art Gallery at UC Irvine, "Before the Look of Law" runs from October 3 to December 13, 2026. The exhibition is a joint project between the university's Critical Theory program and the Claire Trevor School of the Arts, a collaboration that signals a deeply analytical and scholarly approach to its subject. The university's announcement states that the show revisits "The Look of Law," a 2006 exhibition organized by Simon Leung at the same gallery. This return to the theme suggests a sustained, multi-decade investigation into how legal and state authority is constructed, perceived, and resisted through visual means.
The involvement of a critical theory department implies an exhibition designed to deconstruct and question the underlying ideologies that shape our perception of justice. The title itself evokes the ways in which law projects an aura of power and inevitability, a "look" that precedes any specific application or judgment. The exhibition features a range of contemporary artists, including Cameron Rowland, Ashley Hunt, Zoe Leonard, Paul McCarthy, and Kiyan Williams. The inclusion of these artists, whose practices often engage with systems of power, control, and social justice, reinforces the exhibition's aim to foster a critical and unflinching conversation about the visual representation of law in society.





